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June Is Black Music Month Media Alert!! Harlem Welcomes Rita Marley, Judy Mowatt, Marica Griffiths For Immediate Release June Is Black Music Month “Save the Date June 24, 2006” Live and In Concert The I Threes featuring Judy Mowatt, Marcia Griffiths and Rita Marley Unite On One Stage in Harlem at the legendary Apollo Theatre 253 west 125th Street at 8 PM for one night only as the Caribbean Cultural Centre, the African Diaspora Institute and the Apollo Theatre Present the 11th Tribute to Women of Color, with special guest Thandiswa Mazwai 2005 South African Music Award Hosted by, Ntozake Shange Tony and Emmy Award winner, Dahved Levy WBLS Radio Personality and La Bruja Spoken Word and Recording Artist. The Mission The Caribbean Cultural Centre / African Diaspora Institute and the Apollo Theatre pays Homage to make visible these wonderful artists by highlighting their contributions and culture to their musical genres and ensuring their legacy to be remembered within the musical vibrations and African Diaspora traditions. The Caribbean Cultural Centre past tributes concerts included Celia Cruz , Katherine Dunham, Angela Bofill, Cassandra Wilson Three In Oneness- The I Threes Marcia
Griffiths In a career spanning four decades
Marcia has earned her title 'The Queen of Reggae'. She spent her teens
singing at Studio One, has worked with many of Jamaica's greats and
continues to make music to this day. She is a successful female
vocalist in the history of reggae music, having recorded in every one of
the myriad of styles in Jamaican music, from ska through to an 80s rap
crossover record. Her precocious talent was recognized very early by
producers Coxsone Dodd and Byron Lee, who were competing for her
father's signature on a recording contract even before Griffiths' tenth
birthday. Dodd was the winner because she "liked his vibes"
and Dodd's Studio One set-up was like a "musical college". It
was there that Griffiths achieved her first Jamaican number 1 in 1968
with the rocksteady hit "Feel Like Jumping", a record that can
still fill dance floors. She had worked very closely with Bob Andy
during this period and he had written many of her biggest hits for her.
In 1969, they recorded, as Bob And Marcia, an interpretation of Nina
Simone's "To Be Young, Gifted And Black" for producer Harry J.
The popularity of the record ensured crossover success and it rode high
in the UK charts in 1970 and became a hit all over Europe. Rita Marley has enjoyed a successful solo career in her own right. In her early days she had originally worked with the Soulettes a female ska trio. The Soulettes began recording for Clement Dodd Studio One Label in 1964. Dodd asked his emerging star Bob Marley to mentor them. Rita Marley subsequently enjoyed several solo hits in Jamaica, among them "Pied Piper". Prophetically, she would back the Wailers on several early recordings. Her album “Who Feels It Knows It” produced a big hit "One Draw", a pro-marijuana lyric recorded in 1981, became the first reggae single to top Billboard's disco singles chart, which was used to track dance-club play at the time. Rita Marley continued to enjoy single successes with "Many Are Called" and "Play Play". . In 1988's Rita Marley recorded Harambe (Working Together for Freedom), and followed it in 1991 with We Must Carry On, which garnered a Grammy nomination. Both albums continued her knack for danceable, rootsy reggae with spiritual messages and a definite sense of fun. Her most recent recording paid tribute to her husband Robert Nesta Marley aka Bob Marley titled Rita Marley Sings Bob Marley...and Friends, in 2003 and in the same year her autobiography exploded many of the myths surrounding her former husband and paid tribute to Rita's remarkable fortitude. Rita helped organize the I-Threes, a female vocal trio consisting of herself, Marcia Griffiths, and Judy Mowatt. The I-Threes backed Bob Marley in the studio and on tour for the remainder of his career, up until his transition in 1981. Judy Mowatt,
In
her teens Mowatt joined a dance troupe that toured the Caribbean. There
she met up with Beryl Lawson and Merle Clemonson, with whom she formed
the Gaylettes (aka the Gaytones). Together they backed many artists on
releases for the Federal label in the mid-60s, until Mowatt's two
companions left for America in 1970. Deciding to persevere with a solo
career, she recorded widely in both soul and reggae styles, under a
variety of names due to contractual complications. The most notable of
these releases was "I Shall Sing", the first of a string of
reggae chart successes. She formed her own label, Ashandan, and in the
early 70s joined Marcia Griffiths on stage, alongside Rita Marley.
Eventually, the trio was cemented as the I-Threes, Bob Marley having
been suitably impressed by their performance. While working with Marley,
she continued her solo career, and also managed to find time to raise a
family. She also had the honor of being the first to record at Bob
Marley's Tuff Gong studio in Kingston, sessions that produced Black
Woman. NTOZAKE SHANGE‘S For colored girls received on Obie Award, the Outer Critics Award,
and nominations for the Grammy, Tony, and Emmy awards. June 24, 2006 is the place to be to join Essence Magazine, the Jamaican Consul General, Daved Levy, South African Consulate, Carib News and supporters for this stellar event concert at the Apollo Theatre 253 West 125th at 8 pm. For more information and tickets please call Ms Williams at 212- 307-7420 ext 3006. |